I agree with you dschrammie. Nothing compares to a genuine quality acoustic drum set; many of us seek the edrums alternative because a "silent as possible" is the only way some of us are permitted to access some drum play.
dschrammie wrote:the point of using edrums for most of us is to not have the acoustic sound - we're looking for our pads to feel great and be as silent as possible.
I see "innovative" ideas all over the internet that have surprised me because the performance was better than expected without the cost of disturbing the neighbors, waking the baby, or irritating the spouse. New ideas bring new opportunities. Although the possibilities remain a mystery until someone gets hands on experience using some of the new products and sharers objective way to use such new products.
Example,
I have been making a set with shells that are 2 inches deep and it has Evans Hydraulic Blue Heads on one side and Pearl Mesh Heads on the other side. This gives me 3 possibilities for play.
1) If I hit the Mesh Head it resonates the Evans Head and gives me tone during play that cant be heard in the other room. I now have a practice set that doesn’t involve the use of electronics and doesn’t sound like I’m hitting just a screen. This is where I’m excited about the Zildjian Gen16 cymbals, that product would fit me perfectly for my arrangement if it works as promised.
2) Now if I turn on my computer and load Superior Drummer VIA Toontrack Solo my set becomes a full edrum setup with numerous sound possibilities.
3) Flip over all pads to the Evans Hydraulic Heads side and now I have a genuine acoustic drum set that I can play on when the spouse is outside.
My original idea was to have a set of Mylar cymbals and acoustic cymbals that I would alternate between as needed. I probably wont be able to try these new Gen16 cymbals in a music store until April, and if they do the job then I need to save the money as I don’t have that kind of cash in pocket.
-Bean